A fresh start

lambs

I remember when I was a very little girl there was a fairy story my mother read to me. It told of how the fairies painted the sticky buds on the trees to protect the baby leaves from the frost. I thought of that tale when the dog and I were out for our pre-dawn wander. The buds are swelling, and reaching up, sure enough the tight little buds are sticky with sap.

There were celandines in the wood this morning, a sheltered little patch that seems to have stolen a march on spring. Their tiny, glossy petals were barely beginning to unfold their fragility to the dawn, but the brilliant yellow that showed against the green offered a promise.

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There is promise in the sunshine today too. Not much warmth yet, but the skies are blue and bright, with a possibility, a mere hint, of warmer days to come. As the frost recedes and the green shows more vividly across the landscape, there is a little vernal vibrancy tingling in the air.

The birds are busy collecting stray fluff and feathers, early lambs and the odd calf gambol in the fields or snuggle close to Mum for warmth. It is a typical moment of the turning of the tides. In spite of iced ponds and bitter winds, you can almost feel the sap rising.

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I love these moments where you can see the turning of the wheel, the cycle of life in motion. Spring may slide into summer with barely a noise, but the change from winter to spring comes with a fanfare, a riot of colour. For now Spring is waiting in the wings. We, the audience, hear the occasional rustle, catch an odd whisper of the glimpse of a golden skirt as she prepares for the raising of the curtain. It is all poised, hushed and eager to begin.

It is a season of births and beginnings and we ourselves feel and respond to the changing seasons. It is a rather nice feeling to be aligned with the forces of Nature in this way, waiting for the sun to come in and light everything, painting it gold and filling it with warmth and life. It feels right that this should be the moment where tomorrow begins.

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Sue Vincent is a Yorkshire-born writer with a camera. She has written a number of books, both alone and with Stuart France, exploring ancient myths, the mysterious landscape of Albion and the inner journey of the soul. She is owned by a small dog who also blogs. Find her at scvincent.com and on Twitter @SCVincent.

Once divorced. Has fear of clowns — things you may not know about me

image Ned Hickson

This week, Marcia has asked us to tell something about ourselves that others may not know. Whether this is to help us learn a little about each other, or for Marcia to collect incriminating information, I’m not sure. But I DO know Marcia is a gracious interviewer who had me on her other site Bookin’ It last year, during which she hypnotized me into revealing things from several past lives. What follows is an excerpt from that interview that actually reveals some things about both of us…

Marcia: Welcome to Bookin’ It, Ned. It’s great to have you here today. Can you tell us a bit about how you became a writer?

Ned: I am frequently asked how I became a writer. Mostly by my editor here at Siuslaw News. Except when she says it, the words sound more like an accusation than a question. I can honestly say I’ve been a storyteller since as far back as I can remember, back before I could actually write words. My mom used to record my spontaneous stories on cassettes, which she lovingly kept, knowing that someday I would want them and be willing to pay any price to keep them from falling into the hands of someone like Jerry Springer. By the time I was in middle school, I was writing regularly and exploring storytelling through making my own comic books, stories on cassette with background music and sound effects, and eventually movies with a Super 8 camera. Yeah, I was that kid. After graduating from high school, I drove to Texas and found work as a busboy before eventually making my way into the kitchen. A few years later, I was promoted to head chef, then regional chef in Atlanta, Ga. But even while pursuing that career, I continued to write short stories and a mystery novel in hopes of writing full time someday. In 1998, after returning to Oregon with my family, I was hired as a sports editor and columnist at Siuslaw News here in Florence, Ore. That’s really where my “professional” writing career began. Clearly, I’ve always been a late bloomer.

Marcia: Wow! Like me, you started young. Unlike me, you have your tapes and movies to prove it. Also, unlike me, you didn’t wait until you were ancient before settling into the career you were obviously meant to pursue, for which I, like all your readers, am immensely grateful! Can you tell us a bit about who inspired you? What authors did you enjoy growing up, and in what ways?

Ned: I didn’t actually read much as a kid. *An audible hush fills the blog-o-sphere* However, my grandmother introduced me to the short stories and novels of Stephen King when I was in my late teens, which inspired me to try my hand at horror-themed short stories. It wasn’t until several years later, during my first marriage, that my horror writing really evolved and I found some publishing success. I don’t think this is a coincidence. Haha! Just kidding! *cough cough*

Anyway, on the advice of my grandmother, I read The Client by John Grisham, which inspired me to write my first — and only — mystery novel, No Safe Harbor. By that time, I had just settled into my job at Siuslaw News and turned my attention to learning the ins and outs of journalism and becoming a columnist. I had no idea what I was doing and it took me a while to find my voice, which began being compared to Dave Barry and Art Buchwald. I’m embarrassed to say I had no idea who they were. When I eventually found out and read their work, I was flattered. But more importantly, it gave me a lot of confidence in the voice I was developing.

Marcia: Okay, finding out you didn’t read much as a kid is startling, I admit (though it would take more than that to cause an “audible hush” to fall over ME, you understand)! But finding out you didn’t know Dave Barry made me gasp out loud! Art Buchwald, I can almost understand, since he may have been a bit before your time. But Dave Barry? I think I still have the shrine I built in his honor a decade or two ago, when he was saving my life through his humor. Tsk. I’m glad you have now been enlightened, and yes, you were being complimented, for sure. And you have definitely earned the comparison, though you certainly speak with your own voice these days. Can you tell us about your reading habits today? (Asks she, crossing her fingers that they have broadened a bit). Do you have a favorite genre that you head to as soon as you enter a bookstore? Do you even ENTER bookstores? 🙂

Ned: Admittedly, I still don’t read as often as I’d like to or should. The last book I read was two years ago. But when I DO read, I gravitate toward mysteries, horror or sci-fi. Someone once said horror is the flip-side of comedy, and that the same essential elements apply to both in order for them to be successful. Unfortunately, the person who said this was murdered by a gang of clowns…

(And there you have it. Things you probably didn’t know about me. To recap: Weird kid, chef, divorced and afraid of clowns. Probably more than you wanted to know. However, for anyone who’d like to read the complete interview, possibly because you’re serving life without parole, here’s a link to the original on Bookin’ It)

Coming out to the ones you love about your alternative (writing) lifestyle

image By Ned Hickson

It began with my parents of course, who held hands as I explained that I had always felt “different,” and that I wanted to embrace who I was, without shame, hopefully with their acceptance and approval. They both exchanged glances, my mother squeezing my father’s hand and offering him a worried smile before turning back to me. She knew what was coming and slowly blinked, nodding her head ever so slightly, encouraging me.

I cleared my throat. Took a deep breath.

“Mom… Dad… I think I might be a writer.”

It’s been many years since I came out of the closet. Or, in my case, the laundry room, which is where I did most of my writing until becoming a columnist in 1998. But before that — before I actually started getting paid to write — that conversation replayed itself many times over the years with family, friends and co-workers, most of whom thought of my writing as something akin to collecting salt and pepper shakers; a “unique” hobby that I was asked not to talk about at parties.

“Don’t take this the wrong way, but for people who don’t know you — it makes them uncomfortable when your eyes light up like that.”

The bottom line is that no one took my writing seriously (And, yes, I realize the irony of that statement considering I am a humor columnist, but still…). In retrospect, there were many reasons why my wanting to be a writer was perceived as a bucket list item instead of a legitimate rung on my life ladder — beginning with my own perception of “wanting to be” a writer. Because we’re conditioned from an early age to view money as a prime indicator of success and achievement, we naturally use that same measuring stick as validation when it comes to pursuits that don’t fall into traditional categories.

In short: If you aren’t getting paid for it, then you’re not legitimate.

That’s like saying you can’t include “skydiving instructor” among the achievements in your obituary just because your parachute didn’t open the last time you jumped. Even if you’ve landed flat on your face in terms of monetary or publishing success with your writing, it doesn’t mean you aren’t a writer.

It just means there’s a good possibility that every publisher you’ve submitted your work to was a skydiving instructor who died before they could read your masterpiece. I honestly can’t tell you how many publishers plunged to their death before I saw my first words in print.

Regardless, if you spend time formulating words for the sheer enjoyment while, at the same time, agonizing over those very same words, congratulations:

You are a writer.

How do I know this? Because no one who isn’t a writer would put themselves through this process. Ask the average person on the street to write five paragraphs about their favorite memory while holding them at gun point, and most will help you squeeze the trigger. The ones who don’t?

They’re the writers.

Or masochists. Which I realize is somewhat redundant.

My point is the only legitimacy you need as a writer comes from yourself — and it starts with believing what you do is important and has value that isn’t measured in dollars or even common sense in the eyes of others. Let’s face it, toiling alone over the choice and arrangement of words on a page doesn’t make much sense to anyone who isn’t a writer. They may nod their heads and smile when you try to explain it, but in their minds they’re wondering if buying a home so close to high-voltage power lines was a mistake. Again, the only thing that matters is giving yourself permission to take your writing seriously.

And by “serious,” I don’t just mean getting published or paid for the words you write. It simply means serious enough that you make time for it, in the same way you do other routines that are important to your daily life.

If you take your writing seriously, so will others.

And if they don’t? It doesn’t make you any less a writer. Published or unpublished, novelist or columnist, fiction or non-fiction, accept yourself for being a writer and always make time for putting those words down on paper. It is both a gift and a responsibility — and a pursuit that is uniquely your own to determine and discover. Make it part of your lifestyle and treasure those who embrace it with you.

As for everyone else?

I hear that skydiving makes a great holiday gift…

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Ned Hickson is a syndicated columnist with News Media Corporation. His first book, Humor at the Speed of Life, is available from Port Hole Publications, Amazon.com or Barnes & Noble.

A few things writers and superheroes have in common

image By Ned Hickson
As I’m sure you’ve already gathered from the title of this post, yes: I look really great in tights and a cape. At least on paper. In fact, all writers do. However, the power writers wield with words (such as using four “w” words in a row) — whether (make that five) for inspiration, contemplation or revulsion — got me thinking about the things writers and superheroes have in common. And I don’t just mean how often people confuse me for Chris Hemsworth. At least on paper.

To begin with, like any superhero, every writer experiences a transformation process before going into action. Sure, it doesn’t involve hastily peeling your clothes off to reveal a fancy costume (depending on your genre and dedication to research), or a blinding flash that changes you from street clothes to colorful tights — something for this reporters in my newsroom are extremely thankful. However, while not as dramatic, there is a transformation that takes place as a writer’s body language, facial expression and overall focus shifts from “earthbound” to “alternate universe.” Ever see a photo of yourself immersed deep in writer mode? It’s like looking at someone else. Which, in my case, is often mistaken for Chris Hemsworth. I mentioned the alternate universe part, right?

Speaking of which, like Thor’s mighty hammer, Spiderman’s web-shooters, Green Lantern’s ring or Hulk’s endless supply of purple pants, writers wield their own super-powered tool for getting the job done. I’m talking, of course, about a cranky editor. Haha! Just kidding! That will be next week’s NWOW topic: Things Editors and Super Villains Have in Common. Naturally, the super-powered tool I was referring to is the computer or tablet a writer wields as a defender of the written word. I realize some of you might be saying:

“I don’t write on a computer, so that’s not entirely accurate.”

And I suppose you’re right. The again, Moses was technically the first person to use a tablet, but let’s not split hairs.

Another characteristic that writers and superheroes share is having their powers thrust upon them. Like any superhero, a writer discovers their gift and realizes “With great power comes great responsibility to pick up a second job.” There’s no avoiding who your are, the powers you have been given, or finding the best way to use them. Bruce Wayne, Peter Parker, Jean Grey, Bruce Banner, Clark Kent — they all tried to deny their powers and the responsibilities they carried as a result of what fate had bestowed upon them. In each case, they came to realize they were only living within a shadow of who they were meant to be. The same goes for writers; they return to action because they can’t stop being writers.

So, does all of this mean you should should expect a call from The Justice League or S.H.I.E.L.D.?

Probably not. But as a writer, rest assured you are in the company of some really super friends.

(P.S. This one was for you, Marcia!)

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image Ned Hickson is a syndicated columnist with News Media Corporation. His first book, Humor at the Speed of Life, is available from Port Hole Publications, Amazon.com or Barnes & Noble. He ic currently working on his next book, Ned’s Nickel’s Worth on Writing: Pearls of Writing Wisdom from 16 Years as a Shucking Columnist.

One of the biggest mistakes in my life? The time I quit writing

image By Ned Hickson
As I mentioned in the title to this post, there was a time I quit writing. Back in 2006. For almost a year.

It had nothing to do with the typical kind of frustrations every writer faces, such as not having a readership or being told it’s time to “get serious” with your life by family, friends or every publisher on the West coast. It wasn’t the result of drug addiction or alcohol abuse, although I did find myself addicted to watching Grey’s Anatomy, which made me WANT to drink.

Things were going well with my writing. My readership was growing and I had an agent working to get me signed with a large publishing house.

The problem came on my 40th birthday, when I was given the ultimate surprise gift: divorce papers and single parenthood. Though I can look back on it now and see it for the gift it was, at the time it was like George Clooney showing up on Grey’s Anatomy again: Unexpected and surreal, yet with the underlying knowledge that it was always a possibility, depending on how his other opportunities panned out.

In the span of 24 hours I had gone from celebrating 40 years of life, to life as a single father with two young children. And let me just say right now, Thank God for them. Nothing funny here, just fact: They saved me and were my daily inspiration. But to make ends meet, I left the editorial department at our newspaper and went into sales for almost a year. I also put my column on hiatus by being honest with readers, letting them know what was going on in my life and, for the time being, that I was having a hard time finding my “funny.” I also needed to focus on this transition in my life and the lives of my children. Most newspapers and their readers were understanding. Even supportive. But not all of them were, and I lost about 20 spots — which I understood; I’ve never fostered any hard feelings about that, EVER! I SWEAR!

Sorry…

My book deal also fell through. Probably because of the new intro I wrote, which began: I’m actually pretty funny, but let me tell you what I don’t like about my ex-wife…

Ok, not really. But the book deal was put on the back burner, where it eventually evaporated, much like my desire to write during that period. On the surface, it seemed like the perfect inspiration for a columnist — at least until I sat down to write about it. I didn’t want to become “the guy who writes about being divorced,” but my life completely evolved around that subject at that point in my life. At the same time, writing about superheated pickles and glow-in-the-dark mice seemed… trivial.

Silly, I know — but I wasn’t myself then.

Because of the importance of that last statement, I’m going to repeat it: I wasn’t myself then.

Even as I moved forward with my life, meeting and marrying the amazing woman I’ve been fortunate enough to call my wife for five years now, something was still missing (and no, it has nothing to do with male pattern baldness):

It was me.

Not until the following summer did I find that piece of myself, when I returned to the newsroom and began writing my weekly column for the first time in nearly a year. A few weeks later, on my 41st birthday, I started this blog as part of a gradual return to what I love:

Writing about my editor behind her back.

Ha Ha! Just kidding! I do that on Twitter.

What I discovered between those two summers was how giving up my writing meant giving up that part of myself that makes me whole. For writers, the written word is how we process the world around us and, perhaps more importantly, how we define ourselves within it. While most people are content experiencing life with their five senses, writers have a sixth sense that has nothing to do with ghosts or M. Night Shamalon Shamellon Shahma The Sixth Sense guy. It’s about taking those other five senses and interpreting them for ourselves and, if we’re fortunate enough, sharing that with others in a meaningful way — either through serious reflection, humor, fiction or poetry.

In the same way that sharing this life with my wife makes it real and complete, writing makes me real and complete. It’s not that I couldn’t survive without either one, I just don’t ever want to.

Nor will I again.

Unless my editor finds me on Twitter…

image (Ned Hickson is a syndicated columnist with News Media Corporation. His first book, Humor at the Speed of Life, is available from Port Hole Publications, Amazon.com or Barnes & Noble.)

Even when making stuff up, honesty is still the best policy for writers

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By Ned Hickson
Being a humor columnist, I am often asked:

“Where do you get this stuff?”
“How did you even think of that?”
“Do you just make this [censored] up?
“Isn’t marijuana legal in Oregon?”

The answer to all of those questions is a definitive “Yes,” particularly on Ballot Measure 5. However, each of the first three include an important addendum that reads as follows:

While the consumption of humor shall be made available to everyone regardless of race, color, creed or whatever they happen to be eating that may unintentionally exit a nostril, the distributor of said humor is required to provide a basic standard of truthfulness, therefore guaranteeing consumers a more pure grade of laughter. At least until they try passing mixed-berry yogurt through their nose.Continue reading