by Kassandra Lamb
Hi all! Marcia and I thought you might find my guest post interesting. I’m over at Janice Hardy’s Fiction University today, talking about the pros and cons of writing short stories and novellas versus full-length novels.
Please check it out (and share if you are so inclined).
To Write or Not To Write Short?
Short stories, novellas, novels—what’s the best route to go as a fiction writer? Are there advantages to writing short?
This is a more complicated question than it may seem to be on the surface. There are several factors to consider:
● The definition of a short story vs. a novella
● The appeal of writing short for the author
● How readers feel about short stories and novellas vs. full-length novels
● The benefits of shorts for authors
● The bottom line: how much can you make off of shorts?
In order to give you more than just my take on writing short, I surveyed several authors from various genres. I’ve included their experiences along with my own, and in some cases, quoted them when they said it better than I could.
First let’s define our terms. A novel is considered to be full-length if it is at least 40,000 words. A novella is usually defined as 17,500 to 40,000 words. Technically, a short story is under 7,500 words.
There is this thing called a novelette that is 7,500 to 17,500 words, but the reality is that readers have rarely heard of this term. The 12K novelette I published several years ago is almost always referred to as a short story in reviews, and even my 25K novellas are sometimes viewed as short stories by readers.
So perhaps we should be defining short versus long differently. A “short” story, regardless of its length, is one with a simpler story arc, few if any subplots and simpler character arcs for its main character(s).
The Appeal of Writing Short:
To put it bluntly, it’s quick and easy… READ MORE